Showing posts with label Carol Burnett. Show all posts
Showing posts with label Carol Burnett. Show all posts

Friday, June 25, 2010

Book Review: This Time Together, by Carol Burnett

I have been a huge Carol Burnett fan since I was seven or eight years old. I'd watch the old episodes of Carol Burnett and Friends at my grandparents' house, and later in life when cable finally came to my hometown. In college I was known to tape episodes of Carol Burnett and Friends on the Family Channel. It drove my roommate crazy. She didn't get it, but BFF, whom I met in college, did. We'd go to each others' dorm rooms and watch Carol Burnett together. That's one of the things that has bonded our friendship.

I have her first book, One More Time, which is a detailed memoir of her childhood, growing up with alcoholic parents, a hypochondriac grandmother, and living in poverty in a one-room apartment one block north of Hollywood Boulevard. You can find my review of it here, and you can read other posts I've written about Carol here.

I had pre-ordered this book last October, almost as soon as I heard that it was going to be published. When it finally arrived in my mailbox this past April, I put aside the book that I was reading at the time and dove right in. I finished in about two hours.

As Carol writes in the foreword, this book originally started out as a collection of show business anecdotes that she had wanted to write for her grandchildren. Many of these recollections came from questions that audience members would ask at her touring Q&A show (you can read about my experience here).

Lots of the anecdotes are humorous. For example, she writes about the time she first met Jimmy Stewart, her idol, and was so flustered when she talked to him that when she left the studio, she stepped in a bucket of whitewash and walked out with said bucket still on her foot. There are several stories about the cast of The Carol Burnett Show, particularly about Tim Conway and Harvey Korman. There is one story involving Tim Conway and a stuffed sheep that had me laughing out loud--something that doesn't happen often when I read.

Some of the tales remind us that even celebrities are human, and get starstruck. Carol describes living in the same New York apartment building as John Steinbeck, and how they first met in an elevator going to their respective floors. There is a very funny story about renting her beach house to Sir Laurence Olivier. And there are two particularly funny stories involving meeting Cary Grant for the first time, as well as an Iranian princess who had the same physician as Carol.

At times, some of the stories that Carol told were touching and heartbreaking. There are a couple of sections in the book about her late daughter, Carrie Hamilton, and the play that they wrote together, Hollywood Arms. Carol writes in a style that makes you feel as if she's sitting next to you, having a conversation with you, and you can really feel the mother's grief as you read through these chapters. Carol also writes about the time when she met a very young cancer patient, and how this patient came to the set of The Carol Burnett Show to meet her. Again, the sense of grief and sadness that you get when reading these sections is incredibly palpable.

This book is not a tell-all book in any sense. In spite of some sadness, Carol generally keeps the tone light and conversational. Not only does she recall some moments of her career, but she recalls some humorous life moments, too, such as the time she had to take her dog to the vet in the middle of a New York City blizzard. There are a few stories about her daughters when they were growing up. And there are some tales about living a normal life as a celebrity. Not only do you get a sense of Carol Burnett as a performer, but you get a sense of Carol Burnett as a person. Both personae make her that much more connected to the reader.

I am going to make an unusual recommendation here: By all means, read the book. But I also want to tell you to get the audio book, especially if you're a fan. Carol herself reads the book, and the conversational aspect of the text takes on a whole new different meaning. Yes, she is there in the same room with you, because she's reading her own stories, but she's reading it as if you're the only person who's listening to the text, as if she's giving a performance just for you. She sings, she does different character voices, and at times, becomes emotional. I don't know how I stumbled upon it while I was in iTunes, but I'm a big enough fan that I purchased it, even though I had a hard copy. And I don't regret it at all.

While I finished This Time Together in one sitting, I found myself going back at random occasions and re-reading some of the anecdotes. You may find yourself doing the same thing. Because while you appreciate the time you had together with Carol, there are times when you just want to have a little more.

Saturday, May 22, 2010

Kitten's Carol Adventure

I currently don't have any pictures to post, but they are on my camera and they will be uploaded here once my vida loca calms down a bit--whenever THAT will be.

Anyhoo, tonight was the long-awaited night when I finally got to realize a childhood dream--seeing Carol Burnett live. In person. At the Palace. How cool is it that I live in a state that has a theater called the Palace? But I digress.

I arrived at the Palace Theater around 7:00 PM and parked my car in the adjacent garage. The Palace is a part of a fine arts complex that includes the Waterbury Arts Magnet School. It was my first time in this particular part of Waterbury, and I was a little nervous. However, there were so many patrons around, as well as so much security, that my worries turned out to be unfounded.

The doors to the theater didn't open till about 7:15. I waited in line and tweeted about my impatience for a bit, but then managed to strike up a conversation with two people behind me. It was really nice to meet other hard-core Carol fans--and I was sharing the space with over 1,000 of them tonight!

First of all, let me just say that I may get a subscription to the Palace Theater just for the Palace itself. It is an absolutely gorgeous space. It underwent extensive renovations about ten years ago, and the results are more than worth it. I will post pictures when I get a chance; lots of patrons tonight were taking pictures of the theater itself. Meanwhile, you can read more about it by clicking here, and going to the Palace Theater's official website.

The show officially started around ten after eight. The gorgeous red-and-gold velvet curtain rose, and revealed a video screen, which played a montage of Carol's Tarzan yells from her show. This segued into clips of some of the funniest segments from the questions and answers that opened The Carol Burnett Show every week. Finally, to conclude the video presentation, there was a montage of openings from Carol's show, featuring Carol entering the stage in a different Bob Mackie outfit every week.

And then, at the end of the open...

Timpani roll, please...

Spotlight, stage right...

Enter, Carol Burnett.

She was wearing a sparkly black minidress, black heels, and a warm smile. About half the theater stood up in welcome.

And I had to wipe tears from my eyes. That really surprised me, that reaction. I knew that Carol had always meant a lot to me, but...wow. I'm still teary just thinking about it.

The stage was very simply decorated with three oriental rugs, and later, a chair, a side table, and a bouquet of white lilies. Carol introduced herself, briefly outlined the evening's agenda, and encouraged any and all questions. And then, just as in her show, she asked to "bump up the lights", and the questions began.

The leadoff question came from a man who had just read Carol's latest book, This Time Together (review coming soon; again, I've got a vida loca lately). He wanted to know why Carol named her Yorkie Bruce, even though Bruce was a girl. Carol explained that she had a very good friend at UCLA, Bruce Campbell, and once promised Bruce that she would name her first child after him. And her first child was a female Yorkie. Hence, Bruce.

The next question came from a fellow who wanted to hear the Tarzan yell. And of course, Carol obliged. :) She talked about how she can only do the yell in controlled circumstances; one time, she went to a department store in New York to buy stockings, and didn't have a credit card to pay. She had her checkbook, but the sales clerk needed identification (!). So, the sales clerk went to talk to her manager, who then told Carol that her check would be approved if she did the Tarzan yell. She did the yell, and all of a sudden, a security guard burst into the room with a gun in hand.

There were lots of other questions asked. One woman drove all the way from Pennsylvania with her mother and sisters to be at the show. She asked Carol to call on her sister, who was terrified to speak. Well, the sister did speak, and asked Carol two things: What she knew for sure, and what was the smartest thing she had ever done. I loved Carol's response: What she knew for sure was that you don't really know anything for sure. As for the smartest thing, she wasn't sure what it was.

One young man announced that he brought his 93-year-old mother with him, and it was her birthday. He asked Carol to sing "Happy Birthday" to her, and both she, and everyone else in the theater, obliged.

One woman stood up and announced that she was named after Carol, and wanted to know if Carol had any advice for her. Carol was flattered, chuckled quite a bit, and just told young Carol to "keep on keeping on."

Carol also had a very funny story to share about Tim Conway. Tim's wife, Mary Ann, was a champion bridge player, and she'd travel across the country to participate in bridge tournaments. One night, she was invited to a party hosted by other bridge players, and Tim accompanied her, albeit reluctantly. The evening went on, and Tim's getting bored, because he knows nothing about bridge. Finally, near the end of the shindig, Tim goes to the bathroom, opens the medicine cabinet, and pulls out a jar of Vaseline and a jar of Q-Tips. He took a glob of Vaseline and dotted it on his face, then took the Q-Tips and stuck them into the Vaseline. He returned to the living room, looked at his wife, and his wife was stunned. There was a long silence, and finally, Tim quipped, "The Q-Tips jar exploded."

Carol stated that Tim and Mary Ann divorced shortly after that.

Now, for those of you who are wondering if Carol is as nice, sweet, and grounded in person as all of those news stories say she is...I'm here to say they are all true. Even though the Palace was a big theater, and there were over 1,000 people there to see her (a sell-out crowd, nearly), it still felt like a very intimate evening. The audience was gushing in their adoration toward Carol, and she was very touched and flattered. She accepted a gift of a lovely, hand-knit scarf from a fan, and chuckled when another told her that this evening was on her bucket list.

One fan asked her if she would follow Betty White's lead and host SNL. Carol flatly said no, and the audience groaned. Carol then smiled and explained that she thought Betty did such a good job, she felt that she couldn't top her. She added that she didn't want to feel like she was copying Betty, either. Carol did mention, though, that she really wanted to be on Glee, and there were screams and hoots from the audience in response to this news. Carol gushed about Jane Lynch, and the music, and said that the "kids were fabulous."

The evening was interspersed with video clips of movie takeoffs from the old Carol Burnett Show, musical duets with guests, and anecdotes about her life in show business, all very warm and moving. She had nothing but kind words to say about her mentor, Garry Moore, when a fan asked her whom she had learned the most from. And then, of course, was a question about Carol's relationship with Lucille Ball. Lucy died on Carol's birthday, and every year, on her birthday, Lucy would send Carol flowers. Carol learned about Lucy's death from the morning news shows on TV, and later that afternoon, Lucy's flowers arrived at her door.

Overall, it was a very wonderful evening, one I will hold close to my heart for a very long time to come. Yes, Carol, I really am glad we had this time together, and the last lyric of your theme song does ring true: it seemed we really just got started, when the time came to say "so long."

Friday, May 21, 2010

It's TOMORROW!!!!!!

Tomorrow, at 8:00 PM, one of my life-long dreams is finally going to come true.

I am going to see Carol Burnett perform. Live. In person. For ninety minutes. Sans intermission.

I have been anticipating this day for weeks now, and while the excitement has ebbed and flowed due to life's daily travails, I'm just BURSTING with excitement right now. So. Frakkin'. Excited.

I am bringing my Went With the Wind Barbie doll to the performance. I hope that I can meet her to sign it. I'm not sure if I am courageous enough to wait at the stage door after the performance, though.

And yet a part of me is in total disbelief. I can't believe I'm actually going to see Carol Burnett. I can't believe this is finally happening to me. I'm just flabbergasted. Flabbergasted, excited, bursting with anticipation...I'd better stop.

You can bet that I will post about my experience!!! I hope to have photos, but I don't know how strict the theater is with cameras. All I know is my little Kodak M380 can take excellent pictures sans flash or sound.

I will write soon, kittens...I will NOT let you down!

Monday, May 25, 2009

Clips of the Week: Julie and Carol: Together Again

Just found this out via Marcella's site...iTunes is selling a Julie and Carol special!!!!!!!!

It's the last one Julie Andrews and Carol Burnett did together, Julie and Carol: Together Again. I just finished downloading it to my iPod and am watching it right now!!!! How excited am I??!?!

Now all the have to do is get the other two Julie and Carol specials up and I'll be ecstatic!!!!

(Oh yeah, and throw in the complete seasons of The Muppet Show, too...is that too much to ask?!?!)

In the meantime, kittens, watch some of these clips from Julie and Carol: Together Again.

First up, we have "The Tea Party," which has become something of a cult classic amongst hard-core Julie and Carol fans:



And now we have "The Mama's Rap":



If you're interested in the rest of the special, iTunes is selling it for $9.99.

Or...I could post two additional clips of the special upon request. ;)

Sunday, April 26, 2009

Happy Birthday, Carol Burnett!

Happy 76th birthday to my favorite performer ever!!!

Oh, and guess what? Do any of you remember how I mentioned a while back that there's a Carol Burnett Barbie doll out there right now? Well guess what...I bought one! I got my paws on it, have taken some pics, and I'll share them with you once I upload them. However, I've been so busy lately that I've had either no time or energy to upload anything, or do much in my spare time.

Meanwhile, in honor of Carol's birthday, here are two of my favorite clips from The Carol Burnett Show. Enjoy!



Saturday, November 22, 2008

DVD Review: The Carol Burnett Show, Vol. 6

Today was a good day to fold laundry and watch The Carol Burnett Show.

OK, maybe it was a good day to watch The Carol Burnett Show. Folding laundry's easier when you have a distraction.

Volume 6 opens with interesting commentary from Carol herself. The big revelation here is that she admits to disliking her Charwoman character. What?!?! Dislike the character who became her signature, her logo? She said that she didn't like doing the Charwoman because "all she did was dust a little, then sit on a bucket and sing the blues." Well, obviously Joe Hamilton, her husband and executive producer, saw a lot more in that character, and the audience must have, too, for the Charwoman has become a classic.

Revelations aside, this is another quality show from Carol and her crew. We kick things off with a Tudball and Wiggins sketch about fire safety. The insurance man (Harvey) pays a visit to determine whether the right fire safety protocols are in place; if they're not, then Tudball's rates will go up. Of course, teaching Mrs. Wiggins about fire safety is a job in itself. Watch for Harvey trying to get Tim to crack up; it was a noble attempt to get Tim to finally lose his cool.

We follow with a superb tap dance number featuring Ken Berry, a Carol Burnett Show semi-regular (so far he's guested on three of the DVDs I've received so far), and the Ernest Flatt dancers, tapping to the beat of the Gershwin classic "I've Got Rhythm." I still don't understand why this man never got a chance to headline a Broadway show. He did go on tour in the shows George M! and The Music Man, though, so people across America were able to see his many talents.

A Harvey-Tim sketch comes next, with the dynamic duo "Lost in the Sahara." They play two soldiers--two very thirsty, dehydrated soldiers, who encounter an oasis. Tim insists the bar, presided over by Vicki Lawrence, is not an apparition. Is it, or isn't it? Harvey insists that it's a desert mirage...but how else do you explain how Tim suddenly gets drenched with two Tom Collinses?

We finish with a two-part finale: a takeoff on the Mickey-Judy movies called "Babes in Barns." Ken Berry stars as "Spunky," and Carol stars as "Dodie." She sings in the style of Judy Garland, complete with deep, shaky alto bravado. This is one of her best impressions. This finale also features one of the Ernest Flatt Dancers, Toni Kaye, who looks a lot like Chita Rivera. I did an internet search on her as I prepared this post. Not only did she dance on The Carol Burnett Show, she danced in the movie Funny Lady and helped choreograph Pennies From Heaven. She also helped choreograph Sugar Babies and starred in one of its national tours. Sadly, she died of cancer in 1995.

Anyhoo, Ms. Kaye stars as Dee Dee, whose sole talent is that "she can do the splits!" She gets cast in a show created for Spunky's parents can pay off their mortgage. She gets cast not just because she can do the splits, but because her wealthy father has lots of money, enough to back the show. A love triangle forms among Spunky, Dodie, and Dee Dee. In the true tradition of MGM musicals, can you guess which gal prevails and wins the heart of Spunky in the end? This is a very cute parody with some great music and dancing, one of the best finales I've seen so far.

The second episode in this volume features a very young Bernadette Peters as its guest star. I'm guessing that Bernadette is in her mid-twenties here. She co-stars with Carol in an installment of "As the Stomach Turns," The Carol Burnett Show's parody of daytime soaps. This sketch is actually a parody of a parody; in it, Bernadette stars as Carol's niece, Raven, who becomes demonically possessed. Yep, you've got it: it's a parody of The Exorcist, which was the movie at the time this episode was written and filmed. Tim Conway, who was not a regular at the time, guests as a exterminator-turned-exorcist. This sketch takes place in his pre-Tudball days; he uses the Tudball accent in his portrayal of the exterminator-turned-exorcist. It's an especially funny sketch because of its very subtle cultural references scattered throughout. For example, Raven, who is from Washington, D.C., brings her aunt souvenirs from her home city--among them, two reel-to-reel tapes, which her aunt "places with her comedy albums." (For those who didn't get the pop-culture reference, this show originally aired on February 16, 1974, near the height of the Watergate scandal. And for those of you who are too young to remember Watergate or have not studied it in school, find out more about it here.)

Bernadette then sings a touching rendition of "Blame it On My Youth," which is appropriate, given that, like I said earlier, she's in her mid-twenties here. In this performance, she shows the first signs of her sultriness and vulnerability, two qualities which helped make her one of our top theatre divas. (And she, like Patti LuPone, is a fellow Italian-American gal, and we Italian-American gals gotta stick together!)

The next sketch features Carol and Vicki as two old high school friends catching up on their years apart. Carol portrays a deliciously evil, spiteful woman who is jealous of her friend's life. It's a lot of fun to watch.

The sketch that follows is a very weak parody of war films. Even though this particular episode won an Emmy for writing, this sketch was not of the quality we have come to expect from The Carol Burnett Show. Harvey and Tim play Japanese submarine sailors who plan to sink Cleveland. They try--"try" being the operative word here--to speak Japanese. I just plain didn't like this one.

A brief sketch comes before the finale, one featuring Harvey as an Italian barber, whose client is targeted by a clumsy hitman, Tim. I'll go no further; this wasn't particularly memorable.

This episode redeems itself in the finale, a salute to the music of Harry Warren. Carol plays a wallflower pianist who is asked by her crush, Harvey, to play at his frat party, where he plans to pin his crush, Bernadette. There is an incredible tap dancing segment here with Bernadette and the Ernest Flatt Dancers, the highlight of this sketch.

Carol always said she never felt comfortable playing the beauty, that she felt more at home playing either average-looking or homely characters. What is great about these characters, however, is that they always get their man in the end. Ahhh, what a world! Men looking for brains over beauty! I love it!

Volume 7 also arrived in the mail with this one. I should watch it tonight, given the amount of laundry I have to fold.

Wednesday, November 12, 2008

DVD Review: The Carol Burnett Show, Vol. 5

As promised, Kittens, here is my rundown of the latest volume of Guthy-Renker Carol Burnett Show DVDs.

The first episode of the DVD was also the first episode of the 10th season. How do I know it's the first episode, other than Carol mentioning it at the top of the show? Jim Nabors is the guest star. Loyal Carol Burnett fans know that she had Jim Nabors as her guest on every season premiere of her show. She considered him her good luck charm. They kick off the show with a duet of "The Rain in Spain" from My Fair Lady. Now imagine Carol as Henry Higgins and Gomer Pyle as Eliza Doolittle, and you get an idea of how this whole thing goes.

The first sketch following the opening credits stars all five regulars, plus Jim Nabors, in a parody of the Norman Lear soap opera satire, Mary Hartman, Mary Hartman. Harvey, as Norman Blear, introduces the audience to his newest work: a soap opera for children, entitled Mary, Mary Quite Contrary, Mary, Mary Quite Contrary. This seriously is one of the best sketches that was ever performed on The Carol Burnett Show. The writing, satire, and parodies in this sketch are simply brilliant--especially Carol's performance in the Louise Lasser role.

Now for many people, Mary Hartman, Mary Hartman is one of Norman Lear's most obscure--if not, his most obscure--work. I had to find some YouTube clips to fully understand the whole parody, but once you view them, it's easy to see the satire. For some samples, click here, here, and here. And here's a whole article on this show, courtesy of Wikipedia.

After the Mary Hartman, Mary Hartman parody, Jim sings "Let Me Be There," accompanied by the Ernest Flatt Dancers. Mind you, when he sings, there's hardly any trace of that Gomer Pyle accent. His singing voice is really quite lovely. I had to rewind the DVD several times to listen to it; I couldn't get over how much I liked it.

Tim has a starring role in the next sketch, about a traveling businessman who hasn't slept in two nights. He decides to spend the night in a cheap, crappy motel. As he starts to fall asleep, a fly starts buzzing about the room, annoying the heck out of our friend.

Tim Conway. A fly in the room. Use your imagination.

Eunice, Mama, and Ed join the proceedings with a sketch involving a friendly little game of Monopoly. Eunice is about to triumph in the game when, as all family sketches go, things go terribly, horribly wrong for her.

A Family sketch. A game of Monopoly. Carol Burnett as Eunice. Again, use your imagination.

We wrap up the show with a mini-musical called "Shipwrecked in Tahiti," featuring the music of Nacio Herb Brown (I never heard of him till I got this DVD). It's cute, but not among Carol's best, IMHO.

The second episode of this DVD guest stars Carl Reiner and Ken Berry, two of The Carol Burnett Show's most popular semi-regulars. Ken stars in the first number, a cute little rendition of "Razzle Dazzle" set in an early 20th century barbershop. Why Ken Berry never became a huge Broadway star is a mystery to me; the man is incredibly talented, especially as a dancer.

The following sketch parodies all of those disaster movies of the 1970s. In "Disaster 75," we find Carol as a stewardess on Titanic Airlines flight 1313. Her passengers include Vicki Lawrence as a singing nun, Ken Berry as a nose transplant patient, and Carl Reiner as the air traffic controller who is also Carol's vengeful ex-lover. In the beginning of the DVD, Carol herself admitted that she would have cut this sketch out of the show if she could. She complained that it lasted forever. It did. I agree with Carol; this was not one of her best works. However, there is a clever little parody of her Q&A segments in this sketch, which pretty much saved the whole thing.

Finally, Harvey, as Alistair "Cookie," parodies Masterpiece Theatre. He announces that the BBC has decided to put Shakespeare's plays into musical comedy form, and that tonight is the first of its efforts.

Their first musical? Hold Me, Hamlet, featuring music by long-time Burnett collaborators Ken and Mitzie Welch.

Yes, at first glance it seems like it's bound to flop, but Harvey, as the King of Denmark, saves this one. Carl Reiner, as Hamlet's father, also saves it. Again, it's not the best mini-musical they have done, but you have to give them credit for trying.

Overall, there are some real gems in this volume, that are really worth seeing. There are some questionable sketches, like I have noted, but even Carol herself has admitted that she couldn't hit it out of the park every time. You take the good, you take the bad...

Oops, wrong show.

Ahhh, The Facts of Life...how I miss you, how I miss you!

Maybe that'll be the next show I'll get on DVD...

Wednesday, September 10, 2008

DVD Review: "The Carol Burnett Show," Vol. 3

This afternoon, right after I got home from work, I popped Volume 3 of my Carol Burnett Show subscription into my DVD player and was not disappointed in what I saw.

The first episode guest starred Carl Reiner, and opened with some cute Q&A questions from some youngsters in the audience. (Among them, "Is this a repeat show?" I love the way Carol handles all of the questions with such grace and aplomb). The first sketch featured Carol and Carl as a married couple trying to get approved for an insurance policy. The catch? Carol plays a very accident prone wife. You can just imagine the rest, all done in classic Burnett slapstick.

We follow with a semi-dramatic number, where Carol sings "Send in the Clowns," as a secretary in unrequited love with her boss, who is flying off to get married. Ahhh, interoffice romance...

We follow up with Carl Reiner as a marriage counselor, trying to mediate between Harvey Korman and his wife, Carol, who does an impersonation of Totie Fields, a comedienne from the 1960s and 1970s. I didn't know who Totie Fields was till today. Keep in mind, I'm 32 and The Carol Burnett Show aired its final episode three weeks after my second birthday, so there are a lot of 1970s pop culture figures I don't know about. So I went to good ol' YouTube, did a search, and came up with this clip, and this one, among others. The second one is a better representation of Carol's impersonation of Totie. I must say, Totie's pretty funny.

The sketch after this one is the funniest of the show. Carol plays a sassy supermarket checkout girl, and Harvey is her suffering customer, trying to score a date with the beautiful woman who's always hanging out at the grocery store. She's smacking gum, has the horn-rimmed glasses, and the teased blonde updo. It's classic.

Finally, the finale is a fabulous, fabulous number. Carol and the crew star as a Mexican acting troupe acting out the classic tale Little Red Riding Hood. Only here, it's La Caperucita Roja. Carol plays La Caperucita as Charo--or is it in reverse? Anyway, if I ever have three kids, I hope that my body is as fabulous as Carol's after she gave birth to three daughters. Her impression of Charo is amazing. And stay tuned for the very end; Carol sings part of her closing song in Spanish!

Next up is an episode with Steve Lawrence as the special guest. In the Q&A, Carol goes gaga because there's an actor from her favorite soap opera, All My Children, in the audience. I just don't understand why people go gaga over soap operas. The plots are unrealistic, everyone's sleeping with each other, and everyone is married 23 times to the same person. And what's with the constant soft-focus camera lens? Please explain, please!!!!

Anyhoo, the opening sketch features Carol and Harvey as married, overworked business executives who just can't find the time to have a simple cup of coffee. The same feeling kind of resonates today, with both overworked spouses and their families.

Steve Lawrence follows with a rendition of Cole Porter's "In the Still of the Night," accompanied on stage with the Peter Matz Orchestra, aka Carol's house band. I don't understand why Steve Lawrence didn't get more credit or recognition than he actually received; the man is an entertainer. The man can sing. And boy, does he have a voice.

Carol returns with both Vicki and Steve, as a woman who gets frustrated with her colleagues because they can figure out the answer to a riddle, and she can't. She gets even madder when her friends don't straight up tell her the answer. I myself got frustrated when I couldn't figure out the answer to the riddle. I'd google it now, but I'm too tired, and I'm in the middle of writing a post.

Then...comes comic gold. The first Tudball and Wiggins sketch. Oh, classic, classic, classic. Those are two iconic characters of television comedy.

The show finishes with a tribute to Universal studios, parodying pictures such as Earthquake and Rooster Cogburn. The most loving Universal tribute, however, comes for The Glenn Miller Story. Out of all of The Carol Burnett Show finales I've seen so far, this is my favorite. It's lovingly, thoughtfully, amazingly done. The Peter Matz Orchestra plays on stage in this one, and even plays the closing theme on stage. I'm so glad I have it on DVD.

So thanks again, Carol! Keep those DVDs coming!

Tuesday, September 9, 2008

DVD Review: "The Carol Burnett Show," Vol. 2

My new DVDs of The Carol Burnett Show arrived in the mail today. I saw the box in my mailbox and my heart leapt with joy. I got inside, ripped open the packaging, and couldn't wait to see what episodes I had received. Yeah, I was like a kid at Christmastime, but I didn't care. It was Carol, after all!

Volume 2 of the Collector's Edition features two episodes. The first one has guest stars Jack Weston and Ken Berry. The second one guest starred Rock Hudson and Steve Lawrence, who was a semi-regular during the show's run, especially during the eleventh season.

The DVD opened with Carol, Harvey and Tim, circa early this decade, talking about how the Q&A portion of the show came about--and it segwayed nicely into the first episode, which had a great Q&A with Carol talking to four Campfire Girls. There were a couple of other questions after that, but Carol's moment with these tweens was really precious. The girls gave her three Campfire Girl dolls, one for each of her daughters. Carol jokingly asked why she didn't get a fourth doll for herself.

The first sketch featured Carol with Jack Weston. I had never heard of Jack Weston until now, but apparently, he was quite the character actor in the 1970s. Anyhoo, Carol and Jack starred in a sketch about computer dating, playing two people who initially believe they don't have much in common--until they start talking passionately about world records. Carol plays a very innocent, naive character in this one, with short, curly hair, a cute red bow, and a Bob Mackie minidress in a floral pattern. (More on Bob Mackie later).

Following this sketch is a musical number with Ken Berry, whom I had previously known as Vint in Mama's Family, a show my sister and I watched religiously as we were growing up. Ken sings and dances to the song "It's Not Where You Start." He goes from being dressed in a graduation gown, to performing for the troops, to performing in Vegas. I had no idea he was such a song and dance man. I also had no idea that he was the spokesperson for the now-defunct Kinney Shoes chain. I found him to be very talented.

Next comes a sketch where poor Ken is on the operating table, anxiously awaiting his appendectomy. Harvey is the main surgeon, ready to operate, with Carol as his nurse--and his wife, who announces at that very moment that she wants a divorce. What follows is a true slapstick mixup of marital displeasure--and wait till you see who finally gets to perform Ken's operation. :)

We then move from the operating room to a fancy restaurant, where Jack Weston is watching a performance of Ethel "Herman"--and Carol does a brilliant job of impersonating the loudmouthed Broadway legend. Everything Miss Herman says is a line from a Cole Porter song--and she sings it loud and proud, gradually driving Mr. Weston to the brink of insanity.

Next comes a spoof of that classic tale, Dr. Jekyll and Mr. Hyde. Only here, it's Dr. Jekyll and Ms. Hyde. This sketch features all four regulars--Harvey, Vicki, Carol, and Lyle--in the story of "a man who not only turns to the woman he loves, but turns into the woman he loves."

This episode wraps with the number "Thou Must Do Thine Own Elizabethan Thing"--a clip which I actually posted a while back. I was delighted to see this clip on DVD. Yay!!

The next episode begins with a Tudball and Wiggins sketch. I absolutely loved Tim Conway as Tudball. (In the preview, Tim explains how he came up with the idea for this sketch; it's actually based on real life). Anyhoo, in this edition, Mrs. Wiggins is splitting up with her husband, and tells Mr. Tudball that she's going on a lunch date with a new guy--Rock Hudson's character, a millionaire who owns a chain of hardware stores. Tudball can't quite understand what Mr. Hudson sees in Mrs. Wiggins, but it's clear to see that Cupid shot his arrow hard enough that it left Rock's character blinded by love.

Steve Lawrence follows with a song from Rocky that I had never heard of. It was a nice song, and I enjoyed it. But I really enjoyed the outfit he wore in this number--dark brown leisure suit, collar turned up on his white shirt, and enough buttons opened up to expose some chest hair and the requisite 70s gold chain. Ahhh, 70s fashion. I love it!

After this little musical interlude, Carol and Rock appear as a married news anchor team, who reveal their feelings for each other through bitter exchanges of the news. Somehow broken marriages seem to be a common theme for many Carol Burnett Show sketches. Very interesting...

The episode ventures back to the silly as Harvey, Vicki, Carol, and Tim return for a recital number, where, in black tie, they perform a version of Glenn Miller's "In the Mood"--clucking like chickens. You've really got to see this one. It's hilarious.

In the penultimate sketch, Vicki and Harvey play a married couple that asks another couple, Steve and Carol, to be the guardians for their children. Again, here's a sketch that portrays the "warts" side of marriage, although much more outrageously than the fashion used in the Carol/Rock sketch earlier in this episode.

The finale is a tribute to the music of Jule Styne, where the cast and dancers portray sailors and their girlfriends in the 1940s. It's fun to watch everyone dance in this scene--and they dance remarkably well.

There were two things I especially appreciated in this DVD. One, is that this really made me realize how versatile Carol Burnett is as an actress. She is a freakin' chameleon. She goes from playing a sweet little innocent in the first Jack Weston sketch to a loudmouthed, outrageous Ethel Merman wannabe to a stunning Elizabethan wench. And her chameleon looks are due to the work of the second thing I appreciated: Bob Mackie's costume designs. Carol keeps saying that this man is a genius--he truly is. He really has an eye for how people should look in certain time periods. He really mastered the look of the 1940s in the Jule Styne finale, as well as the look of Elizabethan times. He also helped create a lot of characters just by the way they looked--one look at Mrs. Wiggins and you know she's a ditz. Bob Mackie didn't help create characters; he helped create icons.

Volume 3 also arrived today, but I won't have time to write about it, much less watch it, till later in the week. I did read the previews in the DVD sleeve, and they look really promising! Stay tuned!

Sunday, September 7, 2008

Variety Clip of the Week: The Garry Moore Show with George Gobel (3 of 4)

Final part to come next week. This week, some sketches and songs affiliated with the year 1922, subject of this edition of "That Wonderful Year," the signature segment of "The Garry Moore Show."

Sunday, August 31, 2008

Variety Clip of the Week: The Garry Moore Show with George Gobel (2 of 4)

Part one was posted last week. In this clip, George Gobel gives a gentle, yet funny routine about buying new furniture on credit. Even though this is a routine from 1961, the part about credit resonates today.

Three commercial parodies follow. In the third one, Carol Burnett plays a housewife who furnishes her home with coupons she sees on the back of packs of cigarettes. I found the last clip to be very sad and tragically ironic because she lost one of her daughters to lung cancer. What do you think?

Sunday, August 24, 2008

Variety Clip of the Week: The Garry Moore Show with George Gobel (1 of 4)

Guests: Diahann Carroll, George Gobel

Here's part one of a Garry Moore Show that originally aired in November 1961. It has a cute little opening number with the guests and the regulars, followed by a sketch parody of "The Price is Right." (The ORIGINAL version of TPIR, that is). Carol Burnett plays a crazed contestant as only she could.

Part Two will follow next week.

Sunday, August 17, 2008

Viva Variety

I'm not normally a slave to the boob tube, but when it comes to the Olympics, it's on nearly 24-7 in my house.

Last night, after Michael Phelps's big win, I decided to go to bed. But then there were the post-race interviews, so I stayed up to watch those. And then there was the local news, followed by more post-race interviews. Finally, around 1:30, I headed up to my bedroom.

Then beach volleyball came on. Quarterfinal match between May-Walsh and the Brazilians.

Sooo...can you guess what I did till 2:30 this morning?

After the Games are over, I'm going to go through withdrawl. Yes, the shows are returning, but they're nothing I would care to watch. All of the sitcoms today are formulaic, with very tired jokes. And I find reality TV to be just plain mean-spirited. I am appalled at just how low people will sink to win money.

There's one genre of television, however, that I really, really enjoy, and it's considered to be dead, although there have been a few people over the last few years who have tried to revive it.

Variety.

I remember watching a special about Ed Sullivan when I was a kid, and being fascinated by the plate spinners. I couldn't believe that people actually watched this sort of thing, in droves, but I still loved it. Broadway performers raved about Ed because his program provided a showcase for all of their musicals and plays. And, of course, without Ed Sullivan, the Beatles may not have been quite as big in America.

Ed Sullivan was just the tip of the iceberg. As you all are aware, I am a huge Carol Burnett fan, and grew up with her sketches. I didn't learn until 1993, when her 25th anniversary special aired, that she also had musical guests and Broadway-style finales on her show every week. The reunion special contained various clips of these musical numbers, and they were amazing. I started to wonder why these elements of her program were left out of syndication--then, as I got older, I learned about rights, royalties, and unions, and how performers are supposed to get money each time their clip is viewed on TV.

A few years pass, and I learn that The Carol Burnett Show was available on Columbia House via subscription. At the time, I was a poor graduate student and didn't have the funds to secure such an item. However, I worked with someone who was as much of a fan of Carol as I was, and she loaned me two of the tapes, one of which I reviewed not long ago.

I was hooked. My mom saw me watch the tapes and she sat with me and shared some of her memories of watching the original runs.

Fast-forward to the present day. I got out of grad school, got a job, moved out, and got so occupied with my life and career that I nearly forgot about Carol. However, whenever I found out she would be on TV, you can bet I wrote myself notes to remind me that she was going to be on the air. I watched the reruns on TV Land and E! whenever I could.

Earlier this year, when Horton Hears a Who came out, I was reminded of my affection for Carol. I found out she was going to be on Oprah with Jim Carrey and Steve Carell and rushed home to watch the show. (I don't have TiVo, and my VCR was on the fritz at the time, so I couldn't record the program. More in the future about these frustrations of mine). Harvey Korman's death reminded me some more of my affection for her, and I did a YouTube search and found dozens of clips. These clips were not just of the old sketches from the syndicated version of the show, Carol Burnett and Friends, no! These were clips that contained the musical numbers, guest stars, and much more! I was overjoyed!

Through YouTube, I was able to discover other variety stars of days gone by--Garry Moore, Dinah Shore, and many more. I found these clips to be much more entertaining than what is currently on TV, and wished that I had DVDs of all of this material.

I really think I was born in the wrong decade. I should not have been born in the 70s, but the 40s, because then I would have been able to live through the Golden Age of Variety Television.

But by the same token, they didn't have any of the recording or preservation technologies that we have today, so I couldn't see them on reruns.

So now, I am a happy subscriber to the Guthy-Renker Carol Burnett Show program, and look forward to more volumes of the show. In the meantime, I would like to entertain you all with some clips of days gone by. Each week, I will post a "Viva Variety Clip of the Week," so you can see what great television once was, and what could be. I still have hope for the future.

If Fox can have an all-reality channel, we need an all-variety channel--and soon!

Thursday, August 7, 2008

DVD Review: The Carol Burnett Show, Vol. 1

In my last Kitten Confessional, I disclosed that I had subscribed to Guthy Renker's Carol Burnett DVD series, after seeing an informercial. Well, last Saturday afternoon, it arrived in my mailbox, one week ahead of the schedule that the Guthy-Renker representative gave me. I tore the box open, took out the DVD, and sat back to watch two glorious hours of classic TV.

This DVD series is billed as "The Collector's Edition," and what makes it collector-worthy is the commentary from Carol, Harvey, and Tim that bookend each episode. The DVD opens with a wide aerial shot of a camera panning the seats in Studio 33 at CBS Television City, where The Carol Burnett Show was filmed. (Studio 33 is now known as the Bob Barker Studio, named after the longtime host of The Price is Right). The stage itself had mannequins displaying the costumes worn by Carol's most famous characters--Eunice, Stella Toddler, Nora Desmond, Mrs. Wiggins, the Charwoman, and, of course, the famous curtain rod dress she wore in her legendary takeoff of Gone With the Wind. The trio reminisced about the episodes that were on the DVD, reminiscing that was, to me, unscripted. (Then again, you had Tim Conway as a part of the discussion, so any outline of a script was certainly to have gone to pieces).

The first episode of the DVD contained the famous Went With the Wind sketch, which appeared in the second half of the show. The first half started with a Carol/Harvey sketch about a harried business couple who discuss marriage as if they were in a corporate meeting. Harvey showed Carol charts, graphs, and stats of their "potential merger," while Carol was concerned about their "second quarter dip." It was a sketch that could really work well today, with a little updating: add some cell phones, Palm Pilots, and laptops, but don't change the basic humor or premise of the sketch, and it will still be funny.

Dinah Shore followed, with a bluesy, jazzy rendition of "50 Ways to Leave Your Lover." I watched episodes of Dinah's talk show as a child, because she reminded me of my grandmother--sweet and gentle. I watched her golf tournament on TV, not for the golf, but for Dinah. I didn't realize she was a singer till I was much older, and fell in love with her all over again. Dinah can put the phone book to music and come up with a #1 hit.

After Dinah Shore, there was a Harvey/Tim sketch that featured Tim as the Old Man. In this one, the Old Man was a butcher. I'll let you use your imagination as to what happens with this, but I will say one thing: it's one of the rare sketches where Harvey does not crack up at what Tim says or does. It's still funny, though.

Then comes Went With the Wind. Many remember this sketch for the curtain rod sight gag, and rightfully so. However, there was still some brilliant acting in this one, particularly Vicki Lawrence as Cissy. She was absolutely amazing in this sketch, from her one-liners, her energy, and that accent she uses. I don't think the depth of her talent has ever been fully appreciated; she really belongs up there with Carol, Harvey and Tim in the Comic Powerhouse echelon. Vicki Lawrence is really one of the underrated comediennes of our time.

This episode concludes with a medley of New Orleans-style blues. Carol, Vicki, and Dinah all have solos and a group number. Harvey joins in with a song and a trumpet, which he pretends to play. And the dancers get to show off their stuff, too.

The second episode on the DVD guests Roddy McDowall and the Jackson 5. It leads off with Carol's classic Q&A intro, followed by a medley of love songs between Carol and Roddy. Here's the catch: Roddy is wearing his full Planet of the Apes style makeup.

The second sketch of the show is a milestone in Carol Burnett Show history: it's the first appearance of "The Family". Eunice, Mama, and Ed all make their debuts here, and Roddy McDowall guests as baby brother Philip, who just returned to his hometown after winning the Pulitzer and Nobel Prizes. The actors haven't yet fleshed out the full potential of their characters yet, but it was a strong beginning to what has become a classic in American television.

The next sketch is brilliant. It features Harvey and Lyle Waggoner as two carpenters who argue that women can't be as good as men in their jobs--until Carol comes along, and does the whole job while the two of them argue some more. They refuse, however, to accept Carol as a part of their crew--until Carol changes her outfit into a VERY mini dress. I thought this sketch was brilliant because of its underlying issues of sexism in the workplace. Carol does as good a job--even better, in this case--than the men in this sketch, but still has to keep a little femininity in order to be accepted by the guys.

The Jackson 5 make their first guest appearance in the following sketch, singing their hit, "Dancing Machine." As I watched Michael, I couldn't help but get saddened by what he's done to his life over the years.

The four regulars participate in the following sketch, about four people waiting at a bus stop, when the pay phone rings, and it turns out to be from a radio quiz show. I couldn't help but think how much Harvey looked like Karl Malden in this one. (Remember those old American Express ads, kids?)

Roddy and Carol star in the next sketch as two Brits having tea. This sketch was amazing because each line of dialogue was only one single word. Too bad it's not on YouTube; it's something that really needs to be seen in order to be believed.

The show's finale features the Jackson 5 performing their hit "ABC" as students in a music school. During the sketch, the Jackson 5 and the show's dancers are sitting in their desks when an earthquake occurs. Yes, an honest to goodness, San Andreas Fault, honey we're in California now earthquake. You can see the cameras and stage shake if you look really carefully. The Jackson 5 is caught off guard, but not Carol. She just goes on with the sketch, as if nothing had happened.

The DVD ends with Carol today, thanking us for watching, and she, Harvey, and Tim all pull their ears.

Sigh. They really don't make TV like this anymore. The sketches have amazing writing, and none of it is cynical, bitter, or too intellectual. There's no rapid-fire dialogue, and all of the situations in each sketch are real, even though some of the characters, like those in the "Family," can be outrageous. But my favorite parts had to be the finales, which were like mini Broadway revues every single week. There are some clips on YouTube of some more of these finales, and I'll have to post them eventually.

Overall, The Carol Burnett Show is quality entertainment, something the whole family can watch, even if some of the sketch dialogue flies over the kids' heads. I really, really hope people are buying this DVD collection, because my biggest fear is that Carol will become one of those forgotten TV comedians like Milton Berle or Garry Moore (who was, ironically, her mentor). In this day and age, if you don't get extensive press saturation, you're forgotten. I really hope no one ever forgets her; it would be a travesty if they did!

Tuesday, July 22, 2008

"Thou Must Do Thine Own Elizabethan Thing"

Let's try posting this again. I went to add labels to the original post last night, and the video disappeared.

Anyhoo, here's my entertainment idol's take on all things Elizabethan. This is from a 1974 episode, I believe.

Wednesday, July 9, 2008

Kitten Confessions

I know that I have promised posts on DC and on the virtues of Borders versus Barnes and Noble, but...

1. I haven't loaded my DC pics on my computer yet, and
2. This was more important for me to get off my chest.

I had plans tonight to go to a concert at the Wadsworth Mansion tonight, and I was planning to be home by 9 PM. In fact, I had to be home by 9 PM to watch a TV that I had to watch. (Yeah, I know, you're thinking, "Tivo!" Well, I don't have Tivo, and having a DVR would mean another $20 on my monthly cable bill).

Now, I have a pretty full life, and there aren't many--hell, there aren't any--shows that are prime appointment viewing in the Bookkitten household.

Except for this one--the American Masters edition on Carol Burnett, which I missed when it had originally aired last November.

I missed the concert because I took a longer-than-usual catnap and woke up at the time the concert began. After briefly cursing myself for my laziness, I perked up, knowing that I didn't have to rush home for the PBS special I had so looked forward to seeing for months. And I felt really guilty that I had to be home just in time for a TV show. Really gulity--OK, maybe not that much.

Was it worth the wait? Yes...and no. This show was chock full of clips from The Carol Burnett Show and The Garry Moore Show that haven't been seen in years, quite possibly since their original air date. That alone made this American Masters presentation worth every minute. There was Harvey Korman, in his last television appearance--and sadly, you could tell that the poor man was in ill health. But he managed to pull it together for this special. And Lyle Waggoner was interviewed--and he is still very handsome. :)

I didn't like that this documentary didn't chronicle too much about Carol's family, which has been a tremendous part of her story for years. It just seemed to gloss over her family tragedies and tribulations, especially the parts that had to do with her early childhood. It barely touched upon her divorce from Joe Hamilton, but did acknowledge his influence on her career.

The special didn't even touch upon Burnett's career post-Carol Burnett Show. In the 80s, Carol did many TV guest appearances, several TV movies, and even a couple of theatrical roles. (Miss Hannigan, anyone?) And in the 90s, she made a couple of Broadway appearances in Moon Over Buffalo and Putting it Together. It mostly concentrated on her career up to, but not past, The Carol Burnett Show. It did include portions of the last episode of the show, which I admired.

Towards the end of the show, Lyle Waggoner admitted that he gets choked up every time he hears the lyrics, "I'm so glad we had this time together..."

Well, Lyle, so do I.

Unfortunately, The Carol Burnett Show is no longer in syndication, so I can't catch her on a daily basis. Fortunately for me, there's YouTube, and I've caught what I can off the Internet. Still, when the DVDs are back in production, you can bet I'll be the first in line to purchase them!

And I won't have to miss a Wadsworth Mansion concert to do so.

Tuesday, June 17, 2008

So Glad We Had This Time Together

You've all heard the story. Starlet grows up in Hollywood, but not the glamorous version depicted in the movies. She grows up in a one-room apartment, is raised by her grandmother, and lives down the hall from her mother. She and her Nanny are on relief, but still manage to see eight movies a week. She comes home, acts out all the parts in front of the mirror, then acts out the scenes with her friends in a vacant lot right down the street. She heads off to UCLA, wanting to be a journalist, but soon realizes her fate is to be an actress. She receives a loan from a mysterious benefactor, goes to New York to pound the pavement on Broadway, gets the lead in a George Abbott musical, and the rest, as they say, is history.

In case you couldn't figure out by the first paragraph whom I was writing about, of course, I'm writing about Carol Burnett, a true living legend of American entertainment. The story of her childhood is now considered showbiz legend, but after reading her memoir, One More Time, I now know that there was a lot of hard work, determination, and pavement pounding leading up to her success.

I don't consider myself to be a rabid fan of many entertainers, but for as long as I can remember, I have ALWAYS loved Carol Burnett. My earliest memories of watching her show occurred when I was around seven or eight years old, watching it with my grandmother at her cabin up in the Adirondacks. My grandmother's place was the only place where we could watch Carol Burnett and Friends. Then we got cable, and I watched it whenever I could.

In high school I had a small group of friends who appreciated Carol, but not to the level that I did. She had brief runs on TV in the early 90s, and I never missed a show. I still have the Carol Burnett Show 25th anniversary special on tape, and it is one of my most prized possessions. (Could that possibly count as one of my 100 things?)

In college I taped Carol Burnett and Friends whenever I could. I drove my roommate nuts as I programmed the VCR: "Carol Burnett AGAIN?!?!"

A year after graduating from college, I found a used copy of One More Time online and purchased it. It was one of the first editions of the book: hardcover, with a book jacket depicting the title in bold red letters. I read it cover to cover when I first purchased it, then it went into the closet of my old bedroom for nine years.

Harvey Korman's death made me remember I had a copy of Carol's book, and knew it was still in my parents' house. I had to read it again.

When I was home for Father's Day, I went straight to my bedroom closet, and the book was still there, along with Walter Cronkite's memoir, Lesley Stahl's autobiography, and a copy of Angela's Ashes. I retrieved all four books and took them home.

Last night I started re-reading One More Time. I finished it an hour ago.

One of the many reasons why I love Carol so much is that she brings such a humanity to whatever role she plays. She brings such a vulnerability and truthfulness to her characters. When she played Eunice, you really felt sorry for her. When she played Mrs. Wiggins, you knew that the portrayal was over the top, but at the same time, it reminded you of other people you knew. When she was the Charwoman, you really wanted to cry; her portrayal of a cleaning lady who dreamed of bigger and better things was so moving.

And a lot of these characters were influenced by her real life. Eunice, Carol has said in previous interviews, reminded her a lot of her Mama, a woman who had big dreams that never came true. Louise Burnett moved to Hollywood from San Antonio to try and get on the staff of a major Hollywood magazine. She only freelanced a handful of articles. She became depressed and turned to the bottle. Alcoholism eventually killed not only her, but Carol's father.

The Charwoman, I believe, came from a job that her Nanny briefly had working as a cleaning lady for Warner Brothers Studios. Carol would accompany her on her jobs, and would admire all of the pens, paints, and brushes that the studio artists used to paint their wonderful posters.

Maybe that's why the Charwoman became Carol's signature character/logo; she represents humble beginnings and the aspiration for greater dreams...

I also admire Carol because she has not, nor will ever, forget about where she came from. She writes about her days growing up with tenderness and affection. Some who have grown up in circumstances such as Carol's, in poverty and with addiction in the family, with bitterness and resentment. Carol knew that she was loved; her Nanny, Mama, and Daddy all loved her "in the best way they knew how." If Nanny had to lie to get a relief check, she did, and the money would come for another month. If Nanny had to lie to get grocery money, she did. Nanny made sure that Carol had food to eat, clothes on her back, and a roof over her head. Carol was never abused nor neglected. Her family may have had problems, but it was her family, and she loved them the best way she knew how.

Most importantly, Carol appreciated every bit of her success. Many Hollywood stars can be ungrateful of their wealth, but Carol valued every minute of it, mainly because she knew the value of hard work. She writes about how she worked as an usherette, handbag saleswoman to save money for tuition and transportation fare to UCLA. Once she got to New York, she worked as a hatcheck girl to pay for her rent at the Rehearsal Club, a boarding house for young women interested in pursuing careers in the theatre. (Rent was $18 a week--imagine that in this day and age--and she kept worrying if she would earn enough tips to afford it).

This was not a memoir I really wanted to end. She finishes the book by visiting her old one room apartment as an adult. She brings a tape recorder with her to chronicle the visit, and discovers that, in the words of an old French proverb, "The more things change, the more they stay the same." Carol writes that she will never visit her old apartment again...

...but she does. A later edition of One More Time was published several years ago to coincide with the opening of a play based on the book. Carol ended up renting the space and lived there for a month. I would love to get a copy of the update and find out her thoughts on this.

The play that Carol wrote, Hollywood Arms, opened on Broadway in late 2002, not long after the death of her oldest daughter, Carrie Hamilton, who co-wrote the play with her mother. Carrie was the one who suggested turning One More Time into a play.

Ironically enough, Carol's Nanny states, after the death of Carol's mother, "Nothing is worse than the death of your child." How tragic that Carol had to experience this, the most unfortunate of deaths. Carol Burnett has experienced much tragedy in her life, but has also experienced much happiness. She has said, "A lot of comedy is tragedy plus time," which is my all time favorite quote and the one I leave on many blogs, forums, and E-mail surveys. She is a survivor.

Maybe that's why America has always loved her--she is a survivor. She is not afraid to be human.

We're so glad we had this time together.

Friday, May 30, 2008

R.I.P. Harvey Korman

Last night we lost one of the funniest comedians ever. I grew up watching Carol Burnett and Friends at my grandmother's house, and loved every single second of that wonderful show. Every time I caught it in reruns I would always remember the time I had with my grandmother.
It was especially worth it to watch, if only to see Harvey crack up every time he had a sketch with Tim Conway.

Also, who can forget Harvey as "HEDLEY Lamarr!" in that Mel Brooks classic, Blazing Saddles.

In tribute, here is what is arguably in the top 5 of the best Carol Burnett Show skits ever.

Rest in peace, Harvey. You will be missed.